Dha Dha 87 Movie Review

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“Dha Dha 87” utterance a firm positive emote of reckoning towards affection, a beautiful feeling sustained even after the skins had been dropped down.

Synopsis: The flick fluctuates with the trio of dramatic eccentrics overlaps in the first half. In 1988‘s Sathya character was performed by Kamal Hassan, a possessing man after a couple of decades Charuhasan had been dragged in the Sathya eccentric and Amala (Geetha Nair), was approached to an old lady Saroja, who is grandmother for Keerthy Suresh.

On the other hand, Jail Pandi (Anand Pandi), full-time job in search of a girl, unluckily girls dislike him in the scenario Jail Pandi getting attracted on Sri Pallavi, the old love story of Sathya and Jail Pandi’s aggressive love interconnecting the screenplay.

In the opposition, two crooked gang leaders were involved in the awry activities both the raucous men focused on Jail Pandi, for the giving love torture, the old man Charuhasan targeted on Jail Pandi were betrayed to kill him.

Even Jail Pandi is deciding to go for suicide and his mother rebuke that he is not fit for love and ask him to suicide with the clumsy screenplay the film travel with another aspect in the second half which made dispute, utterly a strong disagreement followed.

The debut director Vijay Sri G, time-tested to impart that sexual desire unavailable in front of warmth. The team expressed “Dha Dha 87″ is a love story of Charuhasan and Saroja, but their love portions are short and crisply for the audience.

Story: Normally, Indian cinema gives awareness on the consumption of alcohol and drugs in not good for health in the film” Dha Dha 87″ one more worthy sentence appended touching a woman without her willing is punishable, Jail Pandi who is a happy-go-lucky guy that he shows adorableness towards girls, which gets inconvenienced among girls in his place a gorgeous girl Jenni (Sri Pallavi), enters in Jail Pandi’s housing board area, Jail Pandi keeps his full of love with Jenni initially Jenni’s father Janagaraj opposed him by sending towards police station.

In his old age Sathya (Charuhasan), evokes his voice against the troublemakers. In the same area, who executes unlawfulness to the society and alternative gang sustenances offensive behaviour with young girl children, these scenarios makes against towards Jail Pandi.

In the second half, the film come to a conclusion, Jenni has been faces of the aftermaths from the teenage. Which the climax ties with the old pair that they get married at the age of 87 and proves the love connects with the heart.

Actually, as an audience observed Charuhasan visual on the big screen pronouncing Vedic Slogam and innocent characters, for the first time he had come as an aggressive eccentric, which is not matched to him. The hero Anand Pandi who cries from the beginning and didn’t stop even in the climax too. There must be fortitude to choose a such role that had done by Sri Pallavi.

The first half director miscarried towards screenplay and in the second half Sri Pallavi real face furthering up the narrative. With the question towards the director, Koothandavar temple festival visual portion adapted for a female!!!

Verdict: a good try about feeling.

Rating: 3 / 5

Cast:

Charuhasan

Saroja

Janagaraj

KPY Anand Kumar

Sri Pallavi

Navin Vishal

Yanai Joke Kathir

Technicians:

Directed by * Vijay Sri G

Produced by * Venu Ravichandran

Written by * Vijay Sri G

Screenplay by * Vijay Sri G

Music by * Leander Lee Marty

Cinematography * Raja Pandi

Edited by * Sri Vatsan

Production Company * Kalai Cinemas

PRO * Nikkil

by Deepa Vijendra Rao

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